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2025: Visual Methodologies in Design Research: Potentials and Pitfalls

Photo credit: Matt Ramey

Friday, August 15, 9:00 AM to 1:30 PM

The primary goal of this symposium is to explore the value of visual research methods in design fields, addressing both methods and data analysis, as well as the more philosophical questions surrounding the importance of visual data and its positioning in the broader research realm.

RSVP to Attend

Join us for a half-day symposium to explore visual research methods in design.

Agenda

9:00 am – 9:15 am: Welcome and Opening Remarks
Newton D’souza, Director of Doctoral Programs, NC State College of Design

9:15 am – 10:20 am: Panel 1: Visual Data Collection Methods 

Moderator: Victoria Gallagher, Distinguished University Professor of Communication, NC State College of Humanities and Social Sciences

10:20 am – 10:35 am: Q&A

Break (15 minutes)

10:50 am – 11:55 am: Panel 2: Visual Mapping and Data Analysis 

Moderator: Todd Berreth, Assistant Professor of Media Arts, Design, and Technology, NC State College of Design 

11:55 am – 12:10 pm: Q&A

Break (15 minutes)

12:25 pm – 1:15 pm: Keynote Address and Q&A

Dr. Molly Briggs, Assistant Professor of Graphic Design & Design for Responsible Innovation, University of Illinois at Urbana-Champaign

1:15 pm – 1:30 pm: Closing Remarks
Dr. Elen Deming, Graduate Programs Coordinator for the Doctor of Design program, NC State College of Design

Panel 1: Visual Data Collection Methods

Panel 2: Visual Mapping and Data Analysis

Keynote Speaker

Molly Briggs

Dr. Molly Briggs, Assistant Professor of Graphic Design & Design for Responsible Innovation, University of Illinois at Urbana-Champaign

Molly Briggs is a landscape and media historian, design theorist, visual artist, and trained printmaker who studies interactive and immersive rhetorics in printed matter in order to discern the mediated shape of built and social space. She combines traditional and makerly research methods to elucidate the workings and agency of landscape-focused representational documents. Her dissertation, The Panoramic Mode: Immersive Media and the Large Parks Movement (2018), contextualizes the commission, design, and reception of large urban park landscapes in nineteenth-century Europe and the United States amid a broader mediated culture of immersive spectacle. She is currently writing a cultural history of immersive graphic overviews in chorographic mapping and articles on the role of makerly methods in place-based material culture research.