{"id":8155,"date":"2017-04-24T09:00:50","date_gmt":"2017-04-24T13:00:50","guid":{"rendered":"https:\/\/design.ncsu.edu\/?p=8155"},"modified":"2017-04-24T09:00:50","modified_gmt":"2017-04-24T13:00:50","slug":"priceless-design","status":"publish","type":"post","link":"https:\/\/design.ncsu.edu\/architecture\/2017\/04\/24\/priceless-design\/","title":{"rendered":"Priceless Design"},"content":{"rendered":"
Good design requires the informative process of design thinking, which can include research, testing, theory, observation, user experience, and a myriad of other approaches that allow the designer to develop a solution that is better than what is currently available. At the College of Design, design thinking is at the core of the curriculum for all of our disciplines. Sometimes this means taking a step back before you can move forward. Understanding more than the why, how, and who, and thinking more broadly about the need, the application, the user, and the materials used in an effort to think outside of the box and discover alternative solutions. Ideation is part of the process and is iterative.<\/p>\n The College has a wealth of resources for students to expand their ability to design, build, make, and collaborate throughout the design process. One of these resources is the Materials Lab<\/a>, a place that provides space, equipment, and trained personnel to assist design students in their projects. Design ideas that originate in the studio can be implemented in three dimensions in the Materials Lab. Full-scale working prototypes and scaled models can be made to present design proposals.<\/p>\n For current senior in industrial design<\/a> Andrew Keel, design thinking is more than just a design process; it\u2019s the way he approaches a lot of things. \u201cIt\u2019s about understanding how other [users] utilize the product and then make it better,\u201d he states. Keel, an outdoor enthusiast, often devises his own projects with tools or gadgets that interest him and he would likely use. Recently he decided to redesign an axe and further applied the constraints of using a mainstream label, Gerber Gear<\/a> , incorporating their brand standards into his design process. In other words, he devised his solution as if Gerber Gear was his client for his product.<\/p>\n Highlights to Keel\u2019s Process:<\/p>\n Some of the tools Keel used included Rhino and SolidWorks, both CAD programs common to product design. These files were then submitted to Rob Watson, Special Trade Technician in the Materials Lab, who converted the files in order to correspond with the CNC machine to prototype the product.<\/p>\n Watson confirmed with Keel the appropriate scale used and the material used for machining and then converted Keel\u2019s 3DM files. A 3DM file is an open-source 3D model format and contains a variety of information for 3D modeling such as surface, points, and curve data. These files allow CAD, CAM, CAE, and other computer graphics software to accurately convert and exchange 3D geometry and rendering for the machining process.<\/p>\n Watson shares how the process works: \u201cI program the tool paths in RhinoCAM, which is a plugin for Rhino, the file is posted to the CNC machine and the origin is set at the machine the same as the CAD file. It reads the G-code as tool paths\u00a0and hollows out the stock.\u00a0 The first pass is a roughing pass and then a finishing pass which is smooth.\u201d He also explains that there are some projects that need machining on both sides in order to convey detail designed on all sides. Projects that don\u2019t require flipping are architectural typography maps that only requires one side.<\/p>\n
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